The best superhero movie, not for children

summation

• Some superhero films explore dark themes beyond PG.

• HANCOCK, Galaxy's Guardians and Ghost Rider show dull and mature content.

• Films like Unbreakable and The Dark Knight redefine superheroes for adults.

Over the past 20 years, the superhero genre has far beyond the fight with bright tights, witty circle liner and safe PG. Some of the most influential superhero films have been dark enough to trade a healthy hero for the exploration of violence, addiction, psychological failure and theme, so that fans want to check their rating before the night's night.

It still has a PG-13 label, but the film pushes the boundaries of the rating as an absolute limit, giving the adult an emotional resonance for each theme but a young audience too strong. They challenge the viewers to question what it really means to be a hero in a world where viewers are messy, complicated and often forgiven.

7

HANCOCK (2008)

When the super intensity meets self -destruction

On the surface Hancock It looks like another hero story until fans meet John Hancock. He is not a role model that Los Angeles City thought. Will Smith's HANCOCK is cynical, reckless and often drunk. Differentiating hancock from a children -friendly film is to focus on alcoholism, depression and unexpected force.

The film is not ashamed of crude oil, graphic threats and violent scenes beyond traditional superhero movies. The film's exploration of the hero and the personal devil on the hero, which he really hates by the protected society, and the personal devils are as powerful as Super Billan, and pay attention to the inevitable internal combat. Hancock adds a subplot for immortality, loneliness and public disgrace, and fans have a movie that dismantles the superhero myth with brutal honesty.

6

Vol. 3 (2023)

Traumatic diving

Vol. 3 So far, it can be the most emotionally destructive market of Marvel. The key to the heart of this film is the traumatic background of the rocket. It is a series of flashbacks that explain in detail the cruel animal experiments that he and his friends have endured in the hands of evolution. The scared screams of vivid scenes, cages and rocket fellow animals are not dark, but are truly miserable.

The beloved character dies painfully, the innocence of the rocket is stolen, and the villain's exploration of “perfection” leads to the most confused body fear that the MCU placed on the screen. The film also deals with sadness, guilt of survivors, and ethical boundaries of scientific ambitions, and balances the steak's high behavior and the signature humor of the series.

5

Ghost Rider (2007)

Trading with the devil never ends

On the surface Ghost rider It looks like a pure comic book: Nicholas Cage is a Deer Devil Stunt Cyclist who deals with the devil. But the premise of the film is rooted in the subject of curse, supernatural fear, and children -friendly morality. When Johnny Blaze turns into a plurality of spirit, his flesh melts and visually noticeably noticeable, but it reveals the burning skull, a colorful scene that cannot be denied.

The central dispute of the film is a literally a supernatural punishment for Johnny to serve as a bounty hunter of hell, focusing on literally demon contracts, and staring at penalties to reproduce all sins he has committed. The Gothic horror aesthetics of the film combine with the exploration of the curse and the discount of hell, making it a supernatural thriller that uses superheroes as a bowl.

4

Easy to break (2000)

A real crisis disguised as a superhero movie

M. Night Shyamalan'S It doesn't break I explored what it means to be special in a world that doesn't. David Dunn, an ordinary man, survived the disaster that had to kill him, and he was convinced that it could be more due to the colorful and broken Elijah prices. The spacing of the film is intentional and unstable and constantly feels anxious. It treats superpowers beyond isolation, not a gift.

The film explores depression, marriage corruption, existential confusion, and even the pain of realizing your purpose too late. It doesn't breakContinuous force comes from a primitive and grounded approach. Heroes and villains are formed by trauma, not destiny, and true great costs are paid by lost hope and moral ambiguity. It is like whispering in the ear, saying, “Santa is not real.”

3

Batman Start (2005)

Fear

Christopher surprised Batman begins This is where the modern superhero movie grew. Bruce Wayne's parent's murder is a basic trauma, but this is just the beginning. As Bruce faces the psychological terror of the shadow league and the scarecrow, the film explores the nature of fear, trauma and plurality.

The fear of the scarecrow brings life to the nightmare, and the hallucinations are so strong that even adults may not creak. The sequence that the victims overcomes by gas is pure psychological fear, characterized by distorted faces and insects. Nolan's Gotham is a rotten city to a rotten city, a systematic corruption, a violent crime, and no one is completely safe and the decision is not easy. The desolate tone of the film and the use of true horror elements change the story of the superhero forever and make it a dark and depressed thriller.

2

Suicide squad (2016)

Supervillan tries to save the world

Imagine a superhero movie where all the protagonists are criminals. It's lovely and not misunderstanding. Suicide squad Assassin, psychotic, cannibal, and ruthless Amanda Waller (ASSASSINS, PSYCHOPATHS, Cannibals), forced to black -ops mission. These are not good people who are shot in redemption. They are treated as a consumable asset with a bomb transplanted in the neck to ensure compliance.

The mature content of this film is constantly. From head explosion and screen cannibalism to torture, drug use and confusing toxic romance between Harley Quinn and Joker Suicide squad It is from a complete origin of cartoon madness. Graphic violence melts or matches all sides, suits, stabs and characters.

1

Dark Knight (2008)

Anarch state, chaos and order collapse

If there is a single movie shattered by a kid item of superheroes Dark Knight. Christopher Nolan's Magnum Opus is a crime epic, a cartoon film, a second, an existential horror story. Heath Ledger's joker in this film is a specification of confusion.

From the infamous “pencil tricks” to Harvey Dent's terrible variations, the film has a psychological and physical intensity. Violence is often only outside the screen, but its meaning is cold. Indeed, making Dark Knight a superhero film is not shock or fear, but a way to make viewers faced in an uncomfortable truth about human nature.